„The strength that we want is not a brute, unregulated strength; the beauty that we want is no mere surface beauty; but we want a beauty on the surface of life that is from the central force of principle within, as the beauty on the cheek of health is from the central force at the heart.“

Quelle: Dictionary of Burning Words of Brilliant Writers (1895), P. 113.

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Mark Hopkins (educator)32
American educationalist and theologian 1802 - 1887

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„There are no beautiful surfaces without a terrible depth.“

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—  Yasunari Kawabata Japanese author, Nobel Prize winner 1899 - 1972

Japan, the Beautiful and Myself (1969)
Kontext: Dr. Yashiro Yukio, internationally known as a scholar of Botticelli, a man of great learning in the art of the past and the present, of the East and the West, has summed up one of the special characteristics of Japanese art in a single poetic sentence: "The time of the snows, of the moon, of the blossoms — then more than ever we think of our comrades." When we see the beauty of the snow, when we see the beauty of the full moon, when we see the beauty of the cherries in bloom, when in short we brush against and are awakened by the beauty of the four seasons, it is then that we think most of those close to us, and want them to share the pleasure. The excitement of beauty calls forth strong fellow feelings, yearnings for companionship, and the word "comrade" can be taken to mean "human being". The snow, the moon, the blossoms, words expressive of the seasons as they move one into another, include in the Japanese tradition the beauty of mountains and rivers and grasses and trees, of all the myriad manifestations of nature, of human feelings as well.

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The Two Paths, (1859).

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