„It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer’s deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.“

1922
Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 85-86
1920 – 1926

Übernommen aus Wikiquote. Letzte Aktualisierung 3. Juni 2021. Geschichte
Theo van Doesburg Foto
Theo van Doesburg
niederländischer Maler und Kunsttheoretiker 1883 - 1931

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Francis Picabia Foto

„The aim of art is to get us to dream, just like music, for it expresses a mood projected onto the canvas, which arouses identical sensations in the viewer.“

—  Francis Picabia French painter and writer 1879 - 1953

two short quotes of Picabia, in 'A Paris painter', by Hapgood, published in 'The Globe and Commercial Advertiser', 20 Febr. 1913, p. 8
1910's

Eugene J. Martin Foto

„There are opposing forces in all living things. My work reflects this and stirs up a contrast of emotions in the viewer… perception versus annoyance. To the viewer who has reached that level of awareness, my work is no longer abstract, but very real.“

—  Eugene J. Martin American artist 1938 - 2005

Direct Art Magazine, "In Memoriam - Eugene James Martin", Fall-Winter 2006,Vol. 13, p. 86, http://www.saatchi-gallery.co.uk/yourgallery/artist/details.php?id=791 and http://afonline.artistsspace.org/view_artist.php?aid=3883

Caspar David Friedrich Foto

„If a painting has a soulful effect on the viewer, if it puts his mind into a soulful mood, then it has fulfilled the first requirement of a work of art. However bad it might be in drawing, color, handling, etc.“

—  Caspar David Friedrich Swedish painter 1774 - 1840

Quote of Friedrich's letter 8 Feb. 1809, to 'Akademiedirektor Schulz'; as cited by Helmut Bôrsch-Supan and Karl Wilhelm Jàhnig in Caspar David Friedrich: Gemâlde, Druckgraphik und bildmassige Zeichnungen (Munich: Prestel, 1973), 182-83, esp. 183; translation, David Britt - note 117 http://d2aohiyo3d3idm.cloudfront.net/publications/virtuallibrary/0892366745.pdf
1794 - 1840

Piet Mondrian Foto
El Lissitsky Foto
Leonardo Da Vinci Foto
Guity Novin Foto
Marcel Proust Foto

„And not only does one not seize at once and retain an impression of works that are really great, but even in the content of any such work (as befell me in the case of Vinteuil’s sonata) it is the least valuable parts that one at first perceives… Less disappointing than life is, great works of art do not begin by giving us all their best.“

—  Marcel Proust, buch In Search of Lost Time

Et non seulement on ne retient pas tout de suite les œuvres vraiment rares, mais même au sein de chacune de ces œuvres-là, et cela m'arriva pour la Sonate de Vinteuil, ce sont les parties les moins précieuses qu'on perçoit d'abord... Moins décevants que la vie, ces grands chefs-d'œuvre ne commencent pas par nous donner ce qu'ils ont de meilleur.
Quelle: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol II: Within a Budding Grove (1919), Ch. I: "Madame Swann at Home"

Asger Jorn Foto
Anish Kapoor Foto

„There’s something imminent in the work, but the circle is only completed by the viewer.“

—  Anish Kapoor British contemporary artist of Indian birth 1954

Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time

Iannis Xenakis Foto
Paul Valéry Foto
Frederick Winslow Taylor Foto
Gustav Metzger Foto

„What is the significance of viewer participation in your work?“

—  Gustav Metzger Artist and political activist 1926 - 2017

Kontext: What is the significance of viewer participation in your work?
It has to do with kinetic art. Kinetic art has very much to do with the interaction between spectator and art. In the second half of the ’50s, this became a big international movement. When I moved from painting to connections within media, this came through in the first work, which was an exhibition of found cardboard pieces. It was a turning point for me. The world itself, the industrial fabricated world, could stand for the man-made world of art.

R. G. Collingwood Foto
Alfred Horsley Hinton Foto

„Art seeks ever to conceal the means by which its effects are produced and the method in which the work is wrought.“

—  Alfred Horsley Hinton British photographer 1863 - 1908

Quelle: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90

Cornelia Parker Foto

„My work has threads of ideas from all over the place. I try to crystallise them in something simple and direct that the viewer can then take where they want.“

—  Cornelia Parker English artist 1956

Quelle: Mark Hudson. "Cornelia Parker Interview." in: Telegraph. June 24, 2010

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