Zitate von John D. MacDonald

Travis McGee series, A Deadly Shade of Gold (1965)
Kontext: I know just enough about myself to know I cannot settle for one of those simplifications which indignant people seize upon to make understandable a world too complex for their comprehension. Astrology, health food, flag waving, bible thumping, Zen, nudism, nihilism — all of these are grotesque simplifications which small dreary people adopt in the hope of thereby finding The Answer, because the very concept that maybe there is no answer, never has been, never will be, terrifies them.

Travis McGee series, A Purple Place for Dying (1964)
Kontext: ... it is like what we have done to chickens. Forced growth under optimum conditions, so that in eight weeks they are ready for the mechanical picker. The most forlorn and comical statements are the ones made by the grateful young who say Now I can be ready in two years and nine months to go out in and earn a living rather than wasting 4 years in college. Education is something that should be apart from the necessities of earning a living, not a tool therefore. It needs contemplation, fallow periods, the measured and guided study of the history of man’s reiteration of the most agonizing question of all: Why? Today the good ones, the ones who want to ask why, find no one around with any interest in answering the question, so they drop out, because theirs is the type of mind which becomes monstrously bored at the trade-school concept. A devoted technician is seldom an educated man. He can be a useful man, a contented man, a busy man. But he has no more sense of the mystery and wonder and paradox of existence than does one of those chickens fattening itself for the mechanical plucking, freezing and packaging.

Travis McGee series, The Turquoise Lament (1973)
Kontext: Integrity is not a conditional word. It doesn't blow in the wind or change with the weather. It is your inner image of yourself, and if you look in there and see a man who won't cheat, then you know he never will. Integrity is not a search for the rewards of integrity. Maybe all you ever get for it is the largest kick in the ass the world can provide. It is not supposed to be a productive asset. Crime pays a lot better. I can bend my own rules way, way over, but there is a place where I finally stop bending them. I can recognize the feeling. I've been there a lot of times.
From now on, Lawton Hisp was not going to have a very nice life. They might never come after him, but it just wasn't going to be very joyous from now on.
Happy New Year, Mister Hisp.

Travis McGee series, A Purple Place for Dying (1964)
Kontext: ... it is like what we have done to chickens. Forced growth under optimum conditions, so that in eight weeks they are ready for the mechanical picker. The most forlorn and comical statements are the ones made by the grateful young who say Now I can be ready in two years and nine months to go out in and earn a living rather than wasting 4 years in college. Education is something that should be apart from the necessities of earning a living, not a tool therefore. It needs contemplation, fallow periods, the measured and guided study of the history of man’s reiteration of the most agonizing question of all: Why? Today the good ones, the ones who want to ask why, find no one around with any interest in answering the question, so they drop out, because theirs is the type of mind which becomes monstrously bored at the trade-school concept. A devoted technician is seldom an educated man. He can be a useful man, a contented man, a busy man. But he has no more sense of the mystery and wonder and paradox of existence than does one of those chickens fattening itself for the mechanical plucking, freezing and packaging.

Travis McGee series, The Turquoise Lament (1973)
Kontext: Integrity is not a conditional word. It doesn't blow in the wind or change with the weather. It is your inner image of yourself, and if you look in there and see a man who won't cheat, then you know he never will. Integrity is not a search for the rewards of integrity. Maybe all you ever get for it is the largest kick in the ass the world can provide. It is not supposed to be a productive asset. Crime pays a lot better. I can bend my own rules way, way over, but there is a place where I finally stop bending them. I can recognize the feeling. I've been there a lot of times.
From now on, Lawton Hisp was not going to have a very nice life. They might never come after him, but it just wasn't going to be very joyous from now on.
Happy New Year, Mister Hisp.

Travis McGee series, One Fearful Yellow Eye (1966)
Kontext: In many ways life is less random than we think. In your past and mine, there have been times when we have, on some lonely trail, constructed a device aimed into our future. Perhaps nothing ever comes along to trigger it. We live through the safe years. But, for some people, something moves on the half-forgotten path, and something arches out of the past and explodes in the here and now. These are emotional intersections, when lives cross, diverge, then meet again.

Travis McGee series, The Deep Blue Good-by (1964)
Kontext: These are the playmate years, and they are demonstrably fraudulent. The scene is reputed to be acrawl with adorably amoral bunnies to whom sex is a pleasant social favor. The new culture. And they are indeed present and available, in exhausting quantity, but there is a curious tastelessness about them. A woman who does not guard and treasure herself cannot be of much value to anyone else. They become a pretty little convenience, like a guest towel. And the cute little things they say, and their dainty little squeals of pleasure and release are as contrived as the embroidered initials on the guest towels. Only a woman of pride, complexity and emotional tension is genuinely worthy of the act of love, and there are only two ways to get yourself one of them. Either you lie, and stain the relationship with your own sense of guile, or you accept the involvement, the emotional responsibility, the permanence she must by nature crave. I love you can be said only two ways.

Travis McGee series, Nightmare in Pink (1964)
Kontext: It isn't foolish or wicked to enjoy. Wickedness is hurting people on purpose. I love what you are and who you are and how you are. You give me great joy. And you make horrible coffee.

Travis McGee series, The Scarlet Ruse (1973)
Kontext: Way over half the murders committed in this country are by close friends or relatives of the deceased. A gun makes a loud and satisfying noise in a moment of passion and requires no agility and very little strength. How many murders wouldn't happen, if they all had to use hammers and knives?

Travis McGee series, A Tan and Sandy Silence (1972)
Kontext: We're all children. We invent the adult facade and don it and try to keep the buttons and the medals polished. We're all trying to give such a good imitation of being an adult that the real adults in the world won't catch on. Each of us takes up the shticks that compose the adult image we seek. I'd gone the route of lazy, ironic bravado, of amiable, unaffiliated insouciance. Tinhorn knights of a stumbling from Rent-A-Steed, maybe with one little area of the heart so pinched, so parched, I never dared let anything really lasting happen to me. Or dared admit the the flaw...
The adult you pretend to be convinces himself that the risk is worth the game, the game worth the risk. Tells himself the choice of life style could get him killed — on the Daytona track, in the bull ring, falling from the raw steel framework forty stories up, catching a rodeo hoof in the side of the head.
Adult pretenses are never a perfect fit for the child underneath, and when there is the presentiment of death, like a hard black light making panther eyes glow in the back of the cave, the cry is, "Mommy, mommy, mommy, it's so dark out there, so dark and so forever."

Travis McGee series, Dress Her in Indigo (1969)
Kontext: Any man who outgrows the myths of childhood is ninety-nine percent aware and convinced of his own mortality. But then comes the chilly breath on the nape of the neck, a stirring of the air by the wings of the bleak angel. When a man becomes one hundred percent certain of his inevitable death, he gets The Look.

Travis McGee series, A Deadly Shade of Gold (1965)
Kontext: I think there is some kind of divine order in the universe. Every leaf on every tree in the world is unique. As far as we can see, there are other galaxies, all slowly spinning, numerous as the leaves in the forest. In an infinite number of planets, there has to be an infinite number with life forms on them. Maybe this planet is one of the discarded mistakes. Maybe it's one of the victories. We'll never know.

Travis McGee series, A Deadly Shade of Gold (1965)
Kontext: I think there is some kind of divine order in the universe. Every leaf on every tree in the world is unique. As far as we can see, there are other galaxies, all slowly spinning, numerous as the leaves in the forest. In an infinite number of planets, there has to be an infinite number with life forms on them. Maybe this planet is one of the discarded mistakes. Maybe it's one of the victories. We'll never know.

Travis McGee series, A Tan and Sandy Silence (1972)

Travis McGee series, (1964)

Travis McGee series, (1964)

Travis McGee series, (1965)

Non-series books, (1967)

Travis McGee series, (1966)